Just a little ephemeral thing I did that I want to preserve… at least for a while:
Just a little ephemeral thing I did that I want to preserve… at least for a while:
Well. Last week I didn’t get anything in on the flash challenge, because, as I mention in a couple of places, the day job briefly took on all the power to distract and exhaust of attempting to juggle bears which are on fire (without actually being interesting, alas, alas). This week, there’s no challenge in the hopper, and it only just now occurs to me that I could work up a story based on the previous one, even if I’ve missed the chance to effectively brag about it in the comments of someone else’s blog. Later, on that.
For the moment, though, I wanted to share a picture I’ve just seen over on Facebook:
The description of this photo was “Lovecraft with the Lee boys in West Guilford, Vermont, June 10, 1928.” Before we get into mundanity… I would be somewhat concerned if I were to step out of my Vermont farm-house in 1928 to discover this motley bunch of roughs. This is somewhat before Dillinger, Floyd, Barrow and Parker made the US famous for its swarms of tommy-gunning celebrity thieves, but all the same, this looks like a proper crime-film wrecking crew. From right to left, you’ve got:
Heck, you can even picture it as a poster:
Lovecraft and the Lee Boys
These men are dangerous.
DO NOT APPROACH!
Cash reward for information leading to capture of one or all.
For those who take an interest in reality, a very little research reveals the Lees to be neighbours of Vrest Orton, who I will call a journalist with a rather diversified career, and who Lovecraft knew and vacationed with. They’re (probably) not a dangerous bunch of backwoods moonshiners.
Still here. Still writing, too, although given the pace of updates you’d hardly know it– as of last report, the first draft of the novel was 73% complete, so there’s a vague hope the second draft will be ready for critical comment before the end of the year.
I do not have as much time to devote to my art as I could wish.
That’s the reassurance dealt with. Now, onto the digression: I was reading something today which brought to mind King Cnut. He’s less well known than his Anglo-Saxon propagandist’s version of himself, King Canute, which is a shame. The “Free the Danelaw” telling of his story has him standing up to his ankles in water, yelling futilely at the incoming tide in a fit of shoe-wrecking hubris. The other side of the story is a little more interesting.
There were, it seems, an awful lot of hangers-on, lickspittles, and blowers-of-smoke at the court of Cnut. This makes sense, given the relative power of his kingdom; loads of victories, no neighbours that gave any serious worries, and ferocious armed forces on tap. Cnut was troubled by this preponderance of yes-men, because when he said “Do we think it’s a good idea to raid Wantage again?” he wanted actual opinions and not a load of “Ooh, you can do anything because you’re so big and strong.” Even when he told them that there were no wrong answers, there was a worrisome amount of scraping and cries of, “Of course, your Majesty, it is as you say, and your wisdom is infallible.” He took to formulating a plan.
“I understand that I am the greatest king in the world,” he said to his assembled jarls. A few, because there are always a few, rolled their eyes or considered the bottom of their mead-horns. The rest, even those who might have heard of places like Constantinople, agreed loudly.
“So, anything I command will come to pass?”
A chorus of avid agreement followed.
“Let’s give that a try. Court’s adjourned, and we’ll reconvene on the shore at the turn of the ebb.” They being a seafaring lot, the members of the court has a good sense of the tides, so this wasn’t as obscure to them as it is to us modern watch-owners, and they all toddled out at the correct time. There sat Cnut, on his throne, on the damp sand a few feet above the water line, wearing his best shoes.
“Since you’re all so certain of my powers of command, it will come as no surprise to you that I can order the tide to stay where it is, because I don’t want to wreck these really nice shoes I’m wearing.”
The eye-rollers, who had the sense to stand toward the back of the crowd, rolled once more. The general murmur of agreement had somewhat less fervour than previously, but was still general. After all, he is the great and awesome Cnut; I’m not going to be the one to say otherwise.
“Right.” Cnut turned his head to yell over his shoulder. “Oi! Ocean! Knock off that tide! Stay right where you are!”
Five minutes later, the royal shoes were extremely damp. They carried Cnut up the strand, where he stopped and said, “I hope you dummies get it– I may be your king, and a damn good king when compared to the others, but I’m also human. I have limits. I’m sick of you lot playing suck-up, and the next time you don’t give an honest opinion when I ask for one, remember this. You’re in the court to be helpful, not decorative.”
He may also have had a couple of the more obsequious members of the court judicially murdered, because they were a fairly rough’n’tumble bunch, and nothing drives home a lesson like an execution. History is silent on this point.
The thing which brought this to mind is this article regarding someone who has gone… a different direction than Cnut. You might almost feel sorry for its subject; consider, if that emotion kindles in your bosom, the amount of misery he’s caused for others over the years. Any price he’s currently paying is but a taste of the interest on his karmic debt, never touching the substance.
I was listening to a fellow speaking of human sleep arrangements lately, and on the way to his main point, he mentioned some people from the Solomon Islands objecting to what their London hosts thought was lavish treatment, a separate hotel room for each one of their party. “What,” I’m told they asked, “if one of us has a nightmare?”
Dreams are funny things. I can see how people can come around to the notion that they present a window on an actual separate reality, since there is sometimes such a wealth of detail in unfamiliar settings that it is very hard to credit the subconscious with such inventive powers.
…but then there are the dreams in which things are so deeply wrong that you really, really hope there’s nothing at all to that notion, because the partitions between the wings of the multiverse are just not thick enough if that stuff is on the far side.
Guess which sort I’m going to recount for you? I have been battering away at the novel and a story for an anthology I’d quite like to get into, and so haven’t been able to run up stories for this enterprise in a while, but last night’s vision of global, possibly universal, destruction was so affecting, I thought I should at least try to squeeze some of it out of my head for presentation here. So, if you ever wondered idly to yourself, “What sort of nonsense is running around inside the heads of writers,” I offer a small but vibrant sample. Be careful to not get any on you, it is almost certain to stain your clothes.
I do not claim to be a poet. The closest I approach the claim is to wish aloud that I had the attention to linguistic detail that real poetry calls for. However, something fell out of me yesterday that looks vaguely like a poem, and it pleases me enough that I’m reproducing it here so I don’t lose it as it trundles along on Twitter’s endless conveyor belt. It’s not deep, but it’s fun:
I call plural octopus
a crowd of octopodes
more than one rhinoceros
must be rhinocerotes.
I’m very very very proud to announce that I have a story appearing on Trigger Warning: Short Fiction with Pictures. I’m so proud, in fact, that I’ve de-linked the same story from this site for the moment, so if you want to read it, you’ll have to go over there.
I’m proud of this because it’s my first story to be published. More or less. During a recent spate of auto-Googling– because, occasionally, one does like to see how much attention the internet is paying– I found a couple of references to an article which was printed in Dragon, the monthly organ of, at the time, TSR Gaming (long since taken up by Wizards of the Coast). This was not a huge surprise, since it was a high-circulation magazine, even before the dawn of the Nerd Age we currently live in.
More surprising was to find my name popping up on the Internet Science Fiction Database. I entirely remember the story– the surprise is that anyone else took any notice of it. It appeared in the ‘zine emitted irregularly and briefly by Regina Speculative Fiction Society, and when I use the contraction, I am speaking of the old version; a physical object, composed of pieces of paper passed through a photocopier and hand-collated (as photocopiers of the day had trouble with that sort of thing) before being stapled together and handed to subscribers. It was not quite first-generation, as the editors had access to computer printing and so didn’t have to tape together bits of type-written material. But there was tape involved in the paste-up.
It is a non-professional credit, to be sure, since The Spintrian barely managed to mail out any copies with the available budget. While this more recent presentation of my work is not by the technical definition applied by the Horror Writers Association or the SWFA appearing in a professional market either, it is actually bringing in some payment. Semi-pro, we might say. A step on the path to greater things.
Apart from shouting “Hey, everyone! LOOKIT WHAT I DONE!” I’m making this post to underline something we all occasionally forget– what we did in the past can be very hard to bury. Alas, the original file of the story is locked up in Applewriter II formated 5.25-inch floppy discs which I may or may not still have in the house, so I can’t offer a glimpse at that old work of mine. This is probably a good thing. I seem to remember using some phonetic dialogue, and we all know how embarrassing that sort of thing can be.
A fellow writer and long-time friend had embarked on the path of self-publishing, and since [a] he is a friend, [b] competition between writers is illusory, a mere artifact of the neo-liberal economic thought which has infected the world since the 1980s, and [c] readers should be plentifully supplied with fixes, because it’s an addiction that has no toxic level of intake (which is how I know [b] is true), I’m inclined to promote his writing in a place where my writing lives.
So, if you have a moment to make a purchase, an evening free to read a one-person anthology, and a tiny amount of money you’re willing to pass through the scaly claws of Amazon to a deserving person, you could do far worse with your time and treasure than to have a look at Observing Strangers and other stories. Indeed, if you’re one of the select who have plumped for Kindle Unlimited, you have already paid for it! You’re stealing from yourself if you don’t read it!
The fact that the stories are actually entertaining should also encourage you.
I profoundly dislike this sort of thing. It’s the sort of thing that kindles paranoia.
But let me explain. Recently, I took out a subscription for Crave TV, which is like Netflix but more limited. It focusses on television series, which is good and bad. On the good, I’ve finally caught the episode of Band of Brothers that I missed, and the adaptation of Jonathan Strange and Mr. Norrell is quite splendid. On the bad… well, it is TV. It distracts.
Sometimes one seeks a distraction, though. For example, when I have a migraine, I spend a lot of time crouching over a toilet (and I will not expand on that). Not all of this crouching is actively engaged, and during the standby intervals, I welcome distraction as long as I can control the volume. Unable to face the prospect of a second episode of the animated Star Trek, a work we may look upon and despair, I decided to give The Flash a chance. When it first appeared on broadcast TV, I didn’t pursue it, for a variety of reasons, high amongst which was a failure of the show’s marketing to make it look at all interesting. I had been a huge fan of the character from ages eight to ten, but that didn’t translate into an a sufficiently urgent curiosity in the show.
I discovered, in my infirm state, that it was… OK. When seen on a small tablet. Between… bouts. So, when migraine stops in for a visit, I watch The Flash. And when the third episode began last weekend, I had my unpleasant turn. I will offer a small spoiler alert, although how much of a spoiler revealing the opening five minutes of a show which first aired a year and a half ago can be is debatable.
The episode opens with the assassination of several members of an organized crime family. That family’s name is Darbinyan.
Which is the name of my victim in “The Third Act.”
Did I hear that right? Why, yes, I did, confirmed by three repetitions.
Son of a….
When I was choosing the name for the story, which happened almost immediately in the writing process, my thoughts ran thus:
Danish… nah… Chinese… no… the menace is a Scot, so let’s leave the UK out of it… well, how about Armenian?
[opens Wikipedia under “Armenian Family Names”, scrolls until something strikes as euphonious]
And that’s it. At that point in my life, I had never seen nor heard the name Darbinyan. It might have been Pasternak, Kim, Stonecalf or Khethiwe had my synaptic pachinko ball dropped a little differently. No big messages, no profound motives, and certainly no external influences. That’s what really bugs me; someone passing by this site who reads that story will think I lifted the name from the show, because the show aired before I posted the story. Apart from this little rant, there’s nothing to indicate that I was not at all swayed by television in that particular choice.
Which brings us to the slightly eerie element in this real-life story. The IMDB page for that episode reveals that it first aired on 21 October 2014, a year less a week before I posted the story. But I started writing the story on 20 October 2014. Isn’t that something?
I am not so foolish as to shout, “See? They copied me!” because I know that the script is written a long time before the show airs. No doubt months before I produced the first mark on paper for “The Third Act,” one of the screenwriters for the episode did much the same sort of thing as me to select a name.
Which, given what happens in my story and that show, suggests that to a certain stripe of creative person living in North America there is something about “Darbinyan” that suggests victimhood. I certainly hope this is not the case in the real world.
My son was watching a video in which one of the characters calls out, “Step aside and let a real moron take care of this!” That video is a whimsical mash-up of Team Fortress and some other game, and not a documentary of my efforts to launch a writing career, but the sentiment sort of fits.
Yes, I’ve been committing the classic error of the fool, and thinking about what I’m at. Shall I share?
First, the submitting of stories proceeds apace, and most of the places I’ve sent them off to are gratifyingly swift in the turn-around. Among the responses I’ve received, I want to single out Gallery of Curiosities for special mention; I did not get acceptance (sigh), but it was as civil and pleasant a rejection as one could possibly hope for. Even if they’re not presenting something I’m writing… yet… I urge you to give them a listen.
While submitting stories, and of course writing more of them, as readers of what had once been an interesting (of a certain value of that word) blog about fountain pens have been kept informed about, I have also been idly reading what other writers are up to. This is not just following the quite necessary “writers must read” advice, but looking at the blogs of some various writers and seeing what they have to say about how their lives are going.
This leads to the foolishness, in a round-about way. Filtering into the head are two lines of complementary notions about making anything like a living at this. On the side of short stories, which is what I’ve been devoting myself to since I got what I will call serious about the art, we find diverse rates of pay, the most likely being between 1¢ and 6¢ per word. There’s higher, but also lower. There’s also very discouraging things like one site, who I will not mention, who on the heels of offering the high end of that scale include an editorial comment along the lines of, “you get to keep the rights, but expect to make no money ever again out of a story we’ve printed,” which in its way is almost worse than being offered $5 and a free copy of the e-publication.
On the side of longer works, we have things like this fellow’s yearly revelation of his income as a writer. Have a look, and see if it doesn’t make you ponder. Yes, certainly, an established writer, a known name with many years of craft at his command, and even a fool knows better than to look at that and say, “Hey, I’mma get a BOOK DEAL and make loads of money!”
But here’s where this fool’s thoughts go; however you cut it, if you hope to one day make money that the household economy will actually detect, then you should be looking towards a novel. I hope one day to do just that with my writing; if I didn’t, I wouldn’t have propose ways for people to send money down the sidebar of this very forum.
At this point, the fool’s thinking becomes somewhat disjointed. Submissions of short stories are still useful, both in terms of “That’s this week’s groceries paid for!” when one gets accepted, and in terms of setting off any sort of small chime in the head of an editor to whom one would like to send the manuscript of a novel– I am assured that one of the better ways of getting one’s work into print is to have done so previously. Thus, pressing on with short stories is not foolish, really, even though it eats the time that could be used in writing a novel.
So, how does a real moron handle this? I’ve decided that I’m going to carry on banging away on the short stories until November. When the next NaNoWriMo kicks off, I will indeed begin in earnest on one of the novel ideas I’ve got rattling around in my hope chest. At the end of this coming November, I will shout triumphantly to the waiting world, “This thing is not quite twenty-five per cent finished!” I may be a fool, but I can do math, and knowing how fast I emit fiction, there is no way I can finish a novel in a month. Perhaps in the future, when I’ve got several novels pouring unexpectedly high rates of royalties upon me and don’t need The Regular Job, that could happen, but right now I can manage about 4,000 words a week, not a day.
Thus, come November, I’m contemplating a six-month hiatus in short stories while I slowly create a whole novel. The practical effect here will be, I think, none at all; the new way of running this railway means I don’t lose much forward momentum pounding out little bits of original content, and unless all those words start to induce drag or act like rocks in a backpack working on a novel rather than a short story should not affect them.
The readers of my other enterprise are apt to become VERY bored with me. It can’t be helped. I’m pouring my fund of interesting into other vessels. Hopefully, by this time next year, I’ll have a novel in hand and enough of a presence in the world of writing that it will attract a sympathetic editor.
April fool’s day is when fools get their wishes granted, isn’t it?
I am about to repost the majority of an entry from my other blog, because it mainly concerns the future of this one. The direction of some references will be edited, to keep things from being too confusing:
[I]t all started last Sunday, when I went to a writing workshop under the direction of a Hugo-winning Canadian author. The workshop had nothing at all to do with how to find a market for what one wrote; it was all about how to lay a solid foundation for a novel, based on notions the fellow had developed in the course of writing a lot of SF, but which apply to most genres as well. Jolly useful information, too, but what developed out of it was what I can only think of as blindness resulting from a curse or a brain lesion fell away. On Monday, I found I was able to uncover all sorts of paying markets for the sort of stuff that I write.
Had I looked previously? Indeed so. Not only that, but I had looked in basically the very same places I investigated on Monday on those previous attempts. Having made this startling… I will say “discovery” because it was new to me, even though already well inhabited and supporting thriving cultures, I decided to get properly serious about making some submissions to places that offer money for stories.
Money for stories. Fancy that! Exactly what I have been trying to discover the alchemical principles for!
There is a substantial element of regret in this discovery, as over on the fiction site I have been rendering some of what I think of as pretty good stories unappealing, because most markets want stuff that hasn’t appeared anywhere previously. I knew I was doing this, too, but in my earlier innocence, I saw no real alternatives by way of becoming known at all as a writer of fictions. Had the blindness lifted six months earlier, I would have a lot more shot in my locker.
The way in which I intend to address this startling discovery of the obvious is probably self-destructive too, although hopefully only in the short term. I’m going to carry on [at the older blog] much as I have done, intermittently becoming the sort of specialized interesting I once was while mainly just letting the world know that I’m plugging away and still rotating my pens. Over [here], I’m going to stop being quite so profligate with my new material, which is where the self-destructive comes in– little flash fictions, such as [the] one I did up today, will appear in what I intend to be a pretty regular way (long intervals, though) while longer stories will get driven around the markets in search of a paying audience. Once they have found a paying audience, and served their time of exclusivity, I will then post them on the fiction side of my online world; I will then be able to include an annotation along the lines of “Originally presented in the Fall 2016 edition of A Rather Splendid Periodical that Pays Good Rates to Authors”, which will be ego-boosting for me and hopefully drive some more eyes in their direction(s) so they may continue to pay the creative types.
Once I’ve got as many stories with of those annotations as not, I may begin to feel less like a great blundering infant. I hope so. These diapers look ridiculous.
I realize that this follows pretty briskly on the heels of an earlier announcement regarding the pace of presentations and its reduction. However, the whole reason for my running this element of my online presence out was to try and supplement the meagre income that my day job provides, and while I’m not without hope in that direction, I have to say that thus far my family is not growing fat on the proceeds of the writing. I love my readers, but my power to reach enough of them to make an observable income is limited; I have to turn to these suddenly revealed (such a baffling lapse!) markets in hope of being able to provide my son with some shirts that fit.
I will mention that the next story due here, the hinted-at flash fiction, will appear a week hence, because I am sticking to my policy of giving patrons a week’s preview of new stuff. I’m going to have to examine the whole structure of my presence at Patreon, and pretty damn quick, too; I don’t want to make promises that my change of focus renders impossible to fulfill.