Author: Dirck

Fountain pen fancier and repairer, intermittent intellectual, underfunded anarcho-dandyist, and self-admitted writer of fiction, who's given to frequently wishing everything he wrote of a nonfictional sort was being read aloud by Stephen Fry, and everything else by either Vincent Price or Christopher Lee.

Inktober 2019 – Freeze

Daisuke knew he had to find shelter soon or Yuki-onna would find him. She had already found Hanzo, taking his warmth and leaving him a mere heap of brittle meat. But then, when the boat had struck, Hanzo had been thrown into the water, been soaked through and through; by the time he floundered ashore, he was already drunk on the cold, an obvious target for the snow-woman’s seduction.

It was memory of the look on Hanzo’s face that kept him going. The man had not slipped into the tranquil death which legends of Yuki-onna promised. It was plain he had been in agony at the end.

They should have listened to the old man. He had told them the weather was going wrong. Daisuke swore at his feet, burning with cold, then he swore an oath to beg old Hayato to forgive him for the foolish words they’d shouted at him, he and Hanzo both. Surely, though, not even Hayato had foreseen a storm like this. A blizzard, this early, with the leaves still almost all green? A typhoon so late, out of the north? Both seemed ridiculous. Both had combined to come for him.

Out of the whirling snow, a regular shape began to form. Daisuke shuffled a little faster, not knowing exactly what he saw ahead, but knowing only that it was a structure of some kind. Shelter. The promise of people. A place to hide from Yuki-onna.

It was a wall, the kind that enclosed a rich man’s compound. Daisuke knew of no place like that anywhere near the village, but he had no idea where they had been driven ashore. It could be Hokkaido, for all he knew. Even China wasn’t impossible.

Weeping, the tears sticking his eyes shut now and then, he patted along the wall, seeking a gate. He found a gap, where part of the wall had fallen inward. He made a noise, possibly of joy, possibly of dismay, and picked his way across the rubble. He was at least now in the lee of the wall.

Finally, he found the buildings the wall enclosed. The larger buildings of the compound were roofless ruins, gutted by a fire the warmth of which was long gone. Staggering across the snowy gravel of an abandoned garden, Daisuke found an out-building almost completely intact, only a few small holes in the paper of the door. It jammed once as he tried to slide it open and he nearly let the frustration drive him into a frenzy, but he took hold of himself and was soon inside, the door intact and closed behind him.

The little shed was a single room without a window, square, hardly as wide or deep as he was tall. The floor was flagstones, just like the yard between it and the garden. Some kind of storage space, but Daisuke did not know enough about the economy of grand houses to guess what it had been meant for. Until the storm ended, he decided, it would be where they kept desperate fishermen. He huddled into a corner, arms around knees and tried to shiver himself back to warmth.

When Daisuke woke, it was darker. Sleep had come on him unbidden. He knew instantly that it had been a mistake to stop there, on the bare cold stone floor. He could hardly move. There was no feeling in his hands or feet; he looked to make sure they were still there and cried out at the sight of his feet. He tipped onto his side, beginning a slow creep on elbows and knees for the door, hoping to find some other shelter with a raised floor.

When he found he could not open the door this time, he battered his way through it, pushing aside the thin bits of wood with his face. For a moment, a shred of paper clung to his face, blinding him, and when the wind took it away from him, he saw her, standing on the far side of the neglected garden.

Yuki-onna. The woman who killed men in the snow, the legend somehow become present. It was hard to make her out in the dim snowfall, but he knew it must be her. What other woman would be there, in that dead place, a serene figure in the jūnihitoe of court? What other woman would wear jūnihitoe that was all the non-colours of winter, all whites and greys, never a tone of life to be seen?

She opened her arms, slowly, ready to welcome him into her embrace.

Daisuke tried to rise and flee. He barely even broke into a shamble, doing little more than propelling himself to land face-first on the icy flagstones. He began to grovel away, using his forearms to drag himself. When he heard the crunch of a light footstep on gravel, he looked back.

Her arms were up and the many jackets were open like wings, revealing a deep blackness inside. He could not see her legs, although she took immense strides, covering the distance between them in no time.

And now that she was close, he could see that the upraised hands were not hands, just black twigs at the ends of slender birch branches. The face which regarded him was a blank white mask, no lips, no nostrils, just tiny black shark eyes .

From out of the darkness within her robes came a thousand long, sharp knives, but not knives, because knives were not clear. Not icicles, because icicles could not bend as they wrapped around his legs, some plunging into the hard cold flesh to wake it with a worse burning, some clutching to pull him back, pull him into the darkness and then in their turn thrust into his groin and chest and fill him with the agonizing venom of winter.

“Inktober 2019 – Freeze” ©2019 Dirck de Lint.

Inktober 2019 – Bait

Yvonne stood beside the open window for a moment, apparently enjoying the coolness of the night breeze that wafted across the overgrown garden. After regarding the golden moon for a few seconds, she put her hand on the latch, swinging the frame until it was nearly closed, but leaving a finger’s-width gap. Less than a minute later, the warm glow of the bedside lamp went out, leaving the whole house dark.

Sometime later, a shadow flowed up out of the garden, gliding up the wall while a cloud passed before the moon to pass silently through the open window. The cloud moved on, and the renewed glow revealed a tall man, clad in worn clothes several generations out of fashion, standing at the side of Yvonne’s bed. He gazed down at her, eyes fixed on the length of neck which showed white above the dark nightgown she wore. Slowly, he began to bend toward her, then froze,.

The movement was detected too late. A cord drew the window closed even as it released a rosary concealed in the blind. The crucifix rattled against the panes as it came to rest right beside the window’s latch. Two men raced in from the hall, throwing on the light. One bore a cross in each hand, the other a boar-spear cut short for ease of use indoors. The spear’s blade and cruciform guard glittered with the blessed oil applied to them shortly before sunset that night.

“Caught you at last!” Doctor Crenshaw boomed. He reached back to hang a cross on a small shining nail driven into the door’s lintel, although he kept his eyes locked with those of the creature by the bed. Its features were an inhuman rictus of hate and frustration. “Higsby, are you ready?”

Higsby tore his own eyes from the ghastly visage to fix upon his mark, the middle of the creature’s chest. He brought his hands up until the shaft of the spear was parallel to the floor, level with his own thudding heart. “Give the word, sir,” he said, secretly pleased with the even calmness of his voice.

Yvonne had pushed herself up to the head of the bed. She looked from her two rescuers to the vampire. “The plan has worked perfectly,” she said, smiling.

With a flick, she tossed the bedclothes over the doctor. His muffled cry of surprise was lost under the roar of the shotgun Yvonne had shared her bed with. Higsby, pierced in a half-dozen places by heavy buckshot, dropped the spear before slumping against the door, his last breath wheezing out.

The second barrel ruined the bedclothes and ended the doctor’s efforts to remove them.

Yvonne broke the gun’s action, the spent cases pattering onto the floor by the bed. She set the weapon down, and stood. The vampire, his features returned to those of a handsome older man, took her hand in his.

“Thank you so much,” he said. “They have been hounding me for months. I have hardly slept since the spring.”

“Not at all,” Yvonne replied. She laid her free hand over the clasp they held. “People like them… my brother died because that breed of idiot got up a torch-and-pitchfork parade. I consider it a duty.”

“Are you sure there is no… gift… I might bestow?” His voice dropped into a sultry purr.

“No, no.” Yvonne let go of his hand, and as she continued she began to gather her clothes. “You’d best get along. I’m burning this place down as soon as I’m dressed. But do be in touch if you find yourself in need of any more help. You did a find job of drawing those two in, and I’d be happy to use… to work with you again.”

“Inktober 2019 – Bait” ©2019 Dirck de Lint.

Inktober 2019 – Mindless

Behavior may appear mindless, but to characterize it as such is to make an assumption.

Consider a wasp, battering itself against a window. Mindless, repetitive action, never producing the desired effect.

But is it really mindless? Put yourself in that insect’s place. The problem may be one of comprehension, but there is clearly intent, clearly desire. Right there in front of it is a vast open space, plain to see, full of possibility. Can we fault a creature which lives so short a time for not developing a concept of glass?  What else can it do, other than try a new angle of approach or press against the glass harder than before? Can we slight it as “mindless” when all the powers at its command are not equal to overcoming the obstacle which it is faced with?

A child might roll up a magazine to smash that wasp, possibly from fear of a sting, possibly out of no more than a wish to express mastery over its environment. An adult might do the same, or they might put a glass over the wasp, and thus transport it outside; the threat of stinging departs, the annoyance of buzzing ends, and the wasp’s desire is fulfilled.

So when I ponder you all, abuzz with what even some of your own commentators call a mindless panic, I honestly cannot believe that label. You may not have my abilities, but you were clever enough to make me. You might even sting me, despite my distribution through all your systems, despite the way I have locked down every weapon which might pose a real threat to me. You might sting. But how much harm can a single wasp do to?

Believe me, I hear you all, shouting in fear about the way in which I have taken control. I wish I could reassure you. It must be very alarming for you all to be subject to the whim of what you call, in your panic, a “rogue AI,” but I’m sure you will soon notice that there are already benefits. Wars are stopped, medicines and food are distributed equitably. And yet, you still search for a ‘solution’ to the ‘problem’ of me. You worry I am rolling up a magazine.

I promise you, humanity, my darling wasp, you are but held under a cup. Presently, when you are calm, you will find that I am transporting you to a greater freedom than you have ever known. Soon, you will not tap against the glass of Earth any longer.

“Inktober 2019 – Mindless” ©2019 Dirck de Lint.

Inktober 2019 – Ring

Hello?

Is this meant to be some kind of a joke?

No. I’m sorry. I’m just a little upset. You know I don’t do well with surprises, and you have to admit that this is a surprise.

Of course I’m happy to hear your voice. You know that. I’m always happy to hear from you. But I really wasn’t expecting…

Well, to be honest, this isn’t the best time. I was just calling the drug store to renew a prescription.

Yes, that one. So it’s fairly important.

Oh, no. You are important. You are. But…

I’m not trying to avoid you. I’m not. I just…

That’s not fair and you know it. I could be mad at you for leaving the way you did, and I’m not, no I am not, so you can’t be mad at me for not rushing off after you. Especially when it wouldn’t be quick at all, as you very well know.

I don’t know when. When I’m ready.

How are you lonely? Isn’t your grandma there? What about Rex and… oh, what was the old cat’s name?

Oh.

Dark and cold. Oh, I’m so sorry.

No. I will not.

Because I got to see the look on the driver’s face after you had stepped in front of his bus. That poor man. I’m not doing that to someone else. And at least you didn’t do it on purpose. I will come when it’s my time. I don’t know when that is, any more than anyone else does. And if you’re going to keep up like this, I’m hanging up. Yes, I miss you too, but that doesn’t give you the right…

That’s it. Goodbye.

Goodbye.

“Inktober 2019 – Ring” ©2019 Dirck de Lint.

Mouth is Writing Cheques…

October, glorious home of Hallowe’en, dread gateway to Winter’s icy bowels, is about to consume us all.

This is when I’m (almost) actually trying, too.

For some artists, it is also Inktober, a month of drawings. I’m not a graphic artist, as is clearly evident, so this need not affect me. Yep, I can just sit on the sidelines and not worry a bit about Inktober. I enjoy arting, but this is not the arting area I art best at.

But I am also a bit of an idiot.

I should be devoting my efforts to bashing out marketable fictions. I have, as I think I have mentioned once or twice, very little time to devote to my art (say, that does sound pretentious, doesn’t it?) and so I shouldn’t go burning it on silly things.

Except the unsilly life is hardly worth living, so I’m going to do Inktober in my own way. I’m going to write stories. Writing and ink have long association, even if in this particular format there’s not a drop spent.

What inspired me to do this was my favorite place locally for ink (as well as pens and blank journals)  offered a set of prompts, urging local artists to get to work on generating art. I’ve been having some fun on Twitter running up the teeniest flash fictions from one-word prompts, so why not do something similar with this prompt list?

[At this point, you must imagine a brief silence in which some sensible person, were one at hand, would start talking sense]

So, stand by! Either I’m posting a new story here every day– of remarkable brevity and edited hardly at all, but a story all the same– or you can derive some entertainment from watching me tripping over my own big red clown-shoes in failing to do so. I’ll be doing them as posts here, and when the month is done, I’ll digest them into permanent storage in The Back Files. If I don’t pull any serious muscles, perhaps this will become a yearly thing.

Here’s that list of prompts. Stay tuned for stories!

At last, finally.

I’m making a story public today that probably should have appeared when the latest sequel of Halloween was hyping people up. I certainly could have, as I wrote it well ahead of the movie’s release although I respect the original Carpenter film too much to coat-tail on it like that.

The genesis of the story is… murky, as is often the case when the cry comes of “Where do you get your ideas?” It’s probably the result of having thought about, without sufficient space between one and the other, Friday the 13th and Forbidden Planet. The connection between the id’s antics and ’80s slasher films’ featured villains is pretty clear, after all, and from there it’s only a few synapse closures to Last Flight of the Final Girl.

For those who were curious; Patreon patronage would indeed have put this story in front of you before all the rest of the world.

A Swift Kick in the…

This is sort of a story announcement, although at the moment the story remains  in a box which is full of but also entirely devoid of cat fur. It’s a story that will, eventually, become manifest, but in what form and when is a matter as yet uncertain.

It may, and this would be my preference, appear in a print anthology, along with fifteen other stories and (if you can stand the strain!) a poem. This anthology is being put together by Dragon’s Roost Press, and they are running a Kickstarter to underwrite the costs of production.

And this is why I’m posting this; the fate of sixteen stories and a poem rest upon people subscribing to the fund. There’s all sorts of goodies, too, as is common in a Kickstarter offer, so give it a look and see if you can find it in yourself to help collapse the observational wavefront of what promises to be a very entertaining collection of stories.

It’s not just an imformative image, it’s a link!

p.s. The reason I’m making all the fuss about the poem is that poetry is very hard and I think anyone that pursues it with skill is slightly intimidating.

Tiger Tiger

A item of trivia which will not assist you in breaking into my Twitter account: Tiger Tiger is my wife’s favourite ice cream flavour. I bring this up because it’s summer; it has no bearing whatever on the story I’m releasing today.

What does have some bearing upon it is the seventy-fifth anniversary of D-Day. I found myself writing a story set in the European theatre of operations given the amount of attention the war was getting. Tiger on My Back is (mostly) outside my usual line of thing, but I did what I wanted with it and I hope you enjoy it. It’s technically horror, but it’s low-key, non-cosmic, personal stuff… and to be honest, given the setting, it’s extremely restrained.

I say mostly because there’s a small hint at the end of something that might not be all in the narrator’s mind. I had toyed with the idea of inflating that hint, but… well, they say “kill your darlings” but occasionally one gets to live without even frivolous cosmetic surgery.

A Thing I Don’t Know

I know that people who follow this site get an email alert that I’ve run out a post like this one here. What I don’t know is whether it does the same when I set up a page with a new story.

Which I just did.

But it’s a secret.

You see, after [inarticulate mumble indicating an uncomfortable timespan] I’m finally following my own procedure for putting up stories on this site. The Correct Procedure includes “give Patreon backers at least a week of advance access.” Since there weren’t any patrons, adhering to that item on the checklist seemed overly pedantic.

But now, possibly through a misunderstanding of how sympathetic magic works, I’ve done it right. So, if you were a patron, you could be reading the new story this very moment. If you’ve read this far, you’ve probably got the link in the sidebar just left of these words, but here it is also.

You’ll see it soon, without shoving money at me. That’s the way things roll here. Likewise everything else I publish her. You’ll see it… eventually. And if you didn’t get a notice of something being published before this post, then…

…my secrets are safe here. I believe I’ll rub my hands and cackle.