I’m pursuing another of the fiction prompts thrown out by Chuck Wendig, and for purposes of editorial comment, I’ll quote some if his entry here:
It’s May the Fourth, c’mon.
So obviously the only choice of what to write is:
So, get on that. Whatever it means, it means.
Length: ~1500 words
Which is neat… but there’s also a small contradiction. Space opera, after all, is big. Huge, sweeping works, filling thick books… and frequently more than one.
This is very hard to manage with 1500 words or less.
So, I’m not entirely convinced that Seeds of Empire qualifies. I’m also trying hard to convince myself that it’s not just a prologue for something that does.
Because I’ve got enough backlog in the Stuff I Want to Write folder without adding in a proper Space Opera. You hear me, brain? You drop that notion right now!
I am a fan of Star Wars. It’s something I will freely admit, although the qualifiers necessitated by Episodes I, II, and III, (Dumb, Dumber, and Not Enough and Too Late, respectively) are still called for. I was a huge fan in childhood, I was a nostalgic but not avid fan until the idiot trilogy appeared, I was the kind of fan that harboured some enmity towards Lucas from 1999 until last year, and I’m a happy, nostalgic lightly-scarred fan in the wake of last Christmas’s return to form.
However– the whole “Star Wars Day” thing? That didn’t present itself to me until the period of the Great Embitterment. May 4th? “Run along, sonny,” was my response, “Star Wars is a summer film, not a spring one.” This year, the first May 4th since the cloud lifted, I find that I don’t snarl the way I did, but I still can’t embrace the idea.
However, it being mentioned constantly all that day did get some thoughts passing through my head, and those thoughts were sufficient foundation for the new flash fiction, The Suspension of Disbelief.
It may, I fear, be more of a flash than ever. I realized, as I poked the final period of the story, that the foundation of the last paragraph stands on some slightly soft intellectual property ground. I’m not entirely comfortable that “fair dealing” provides me with full protection in making such long references to Star Wars in a work of fiction (that’s “fair use” to you folks in the US). Probably… but not definitely; it’s a grey area to me. I therefore urge you to glance at it while you may; I well bend like the supple grass should a Disney lawyer as much as clear a Bar-accepted throat in my direction.
The biggest error is one that a non-paying observer of the work here won’t have detected; the decision to adjust my frequency of output combined with an exhausting effort to return my home to a livable state reduced the length of preview window for patrons. I apologized to them already via super-secret patron communication pathways, but I’ll admit culpability once more in the open.
The lesser error… in my eyes, anyway… is the use of a technical term as the title of the latest Current Story. Harmonic Aliasing is not quite the right term for what goes on in the story, and I have no doubt that those who ponder analog/digital transfers in a profound way will find that this grates upon them. I offer an apology on that front too, but you may also find an artist’s airy dismissal of pedantic nitpicking is crouching nearby, waiting to spring upon those who complain too loudly.
For those who like to know what a story is about before diving in, and that title doesn’t give much away, I’ll say this: there is a quantity of talk these days about this current age being the last stages of pre-singularity humanity, and I’m certainly not immune to the influence of chatter. The story is a glance in the direction of the transition from pre- to post-singularity, and because my thoughts tend to run in a particular direction, it would be fair to call it mildly alarmist.